Friday, August 19, 2016

The Duff Guide to Ska Fast Takes: The Bishops, "Money Maker" Compilation

(Reviews by Steve Shafer)

The Bishops "The Ol' 49R" b/w "The Black and Tan" (7" single, Jewels Records, 2016; available in the US through Jump Up Records): Hailing from Omaha, Nebraska (a city forever imprinted on my brain from the opening of "Mutual of Omaha's Wild Kingdom" TV show from the 1970s), The Bishops keep the heart of ska, rocksteady, and reggae beating mighty strong in mid-America (so much so, that last year they backed Mr. Symarip--Monty "Neysmith" Montgomery--on his "Jump" b/w "Laurels for Laurel" single and for his Jamaican Oldies gigs in Chicago). "The Ol' 49R" (named after the gold miners of the 1849 California Gold Rush or a type of golden ale) is a fantastically funky and sprightly skinhead reggay instrumental track, while the more modern/3rd wave ska track is a wonderful ode to the marriage of pale ale and stout ("what is created/is pure harmony"). Saddle up to the bar for this one!

Various Artists: Money Maker (LP, CD, digital download, Studio One/Yep Rock, 2016): Billed as one of the rarest Studio One releases, Money Maker has been lovingly remastered from the original tapes and reissued by Yep Rock under the auspices of Coxsone Dodd's daughter Carol Dodd. This mostly instrumental 1970 compilation (heavy on American soul and jazz influences) features Jackie Mittoo, Ernest Ranglin, Cedric "Im" Brooks, and David Madden playing over both popular and obscure Studio One riddims recorded for Dodd by Soul Dimension, The Soul Brothers, and The Soul Vendors. Cuts more than worth the price of admission include Im and David's "Money Maker" over the Heptones' "Fattie Fattie" riddim; Lloyd Williams' black pride-promoting "Black Man Train," a fantastic vocal cut over The Wailing Souls' "Back Out With It" riddim--Ranglin does some amazing guitar work here; Coxsone Dodd--AKA The Boss (!)--takes the mic on what may be the highlight of the the album, "The Great Gu Ga Mu Ga" (I can't find any info on whether this was ever versioned; it certainly should have been!); Jackie Mittoo's hot keyboard gets a funk workout in "Mixing"; and Im and David's wonderfully confident and majestic "Soul Walk," which became the riddim track for Burning Spear's "Pick Up the Pieces." As always, it blows the mind at the volume of fantastic music that flowed out of Studio One...

+ + + +


Wednesday, August 17, 2016

Duff Review: Max Romeo "Horror Zone"

Cover by Tony Wright, who created the album art for
"War Ina Babylon," Junior Murvin's "Police and Thieves,"
Lee Perry's "Super Ape," and Bob Marley and the Wailers'
"Natty Dread."
Nu Roots
2016
Heavyweight Double LP/CD

(Review by Steve Shafer)

There's really no need for Max Romeo's new album Horror Zone to be pitched as a (very long-overdue) sequel to his iconic 1976 collaboration with Lee "Scratch" Perry, War Ina Babylon, as this conscious, roots reggae record is astonishingly good in its own right. But since his post-Babylon falling out with Perry--and despite working in the years since with an array of name producers, like Jah Shaka, Tapper Zukie, Mafia and Fluxy, even Keith Richards--Romeo hasn't come close to matching the greatness of War Ina Babylon (or his extremely underrated 1975 album Revelation Time, also known as Open the Iron Gate, which I think even outshines Babylon). So, gently forgive the necessary marketing hype that is being employed to bring attention to an album genuinely deserving of it.

Romeo's key collaborator/secret weapon on Horror Zone is UK producer Daniel Boyle, who recreated Lee Perry's analog Black Ark studio set-up in his Rolling Lion studio for a series of recent albums he produced for Scratch (including the 2014 Grammy-nominated Back on the Controls) and uses it tremendously well for Romeo's recordings (so much so that they sound like warm and vital contemporaries of Revelation Time and War Ina Babylon). Occasionally, you catch familiar bits of Perry-like arrangements or percussive passages or sound effects (in the intro to "What is Life?" I hear The Congos "Fisherman")--but these are the contextual underpinnings (in a version-mad genre!) supporting terrific new tunes. Hatchet buried, Perry himself contributes percussion, backing vocals, and effects on many tracks and their dubs here, as do several members of Perry's band The Upsetters, including Vin Gordon on trombone, Robby Lyn on keys, and Glen DeCosta on sax.

Even though humanity more or less survived the seemingly apocalyptic late 70s, now forty years on--when man-made climate change has replaced nuclear war as the likely means of our self-destruction--Max Romeo (71 years old and in great vocal shape) still finds much to lament, as not much progress has been made. "What If" chillingly opens the album with these lyrics:

"What if I tell you that the world is in trouble
What would you say?
And what if I tell you that you will die tomorrow
What would you do today?

What if this was the start of the Armageddon?
Tell me, would you be prepared?
If all the things that said is true
Tell me what are we to do?

Said it's the system that sets it so
And don't you forget you know
What if the sun no longer shines
And there's darkness all the time?

Then all life on earth would perish
And all humanity would surely vanish
No more thunder and no more lightning
No more wind and no more rain

No more stealing, no more killing
No more stars that shined above
What if I tell you..."

And Romeo is just getting started. Horror Zone is packed with sharp, potent lyrics full of empathy for the downtrodden and oppressed, often delivered in wonderfully catchy and buoyant songs. He decries how badly those with power treat the less powerful--depriving them of basic needs and rights, or sending them off as cannon fodder for their wars--but also points out how we choose to act in wicked ways and how poorly we treat each other and ourselves (the myriad dangers of smoking tobacco cigarettes are defined--"I have a friend who has a daily pack/I tried to tell him that he should not/No matter what I say, he wouldn't stop/Now he's laying in a cemetery in a numbered spot"--as much of Rastafarianism is concerned with maintaining a healthy body).

Max Romeo--photo by Nick Caro
In this supposedly populist age (note the "mad as hell"/"Network" reference toward the end of the song!), Romeo has penned an anthem to rally the beat down/complacent people to band together for some sort of revolution to overthrow Babylon's/Western society's corrupt and greedy system--"Fed Up":

"Fed up, fed up
Can't take no more
I said we are fed up
Can't get no more

For too long we sat here
And taking all the crap
This cruel and unusual punishment
Certainly have to stop

We wake up every day
With the beat of the same old drum
Uninspired people sit
And waiting for the Lord to come

No hope of survival
No chance to rise
Wondering and thundering
Will our children survive
Under this wicked and brutal system
That Babylon provide

Time for us to get serious
And take it to the streets
Time for Babylon to understand
There's no surrender or retreat

It's either or either
We will do or we will die
Put your heads out your windows
Now with one big voice we cry

Yes, we are fed up..."

Much like Black Uhuru's song of the same name, Romeo's critique of Babylon continues in "What Is Life?"--particularly how our systems of government/economy purposefully deny vast numbers of people the basic things they need for a decent existence, restricting them to lives full of nothing but deprivation and misery.

"What is life?
Here today and gone tomorrow
What is life?
When you have to spend it all in sorrow
What is life?
When you have to live it out on a limb
What is life?
Without love, it don't mean a thing

Is this life?
The way we are forced to live
Is this life?
When we ain't have nothing to give
Is this life?
When you always live in wants
Is this life?
When poverty always haunts

Are you happy to see your children hungry?
And the house is always empty
And the bills are piling high
And the little children all are cryin'--'cause their tummies are empty
I said their tummies are empty

What is life?
When you have to scratch just like a chicken
What is life?
When there's no food left in the kitchen
What is life?
When there's no water in the main
What is life?
When you have to live it under strain"

Mournful violins introduce the tragically beautiful and evocative "The Sound of War." Listening to this track, you can almost see the biblical-looking Max Romeo on a bluff overlooking the valley below that is soon to become a combat zone, describing all he witnesses. With its references to wars waged to supposedly spread/protect freedom and democracy, one also can imagine this song is aimed at the United States' disastrous, Bush/Cheney-led imperialist occupations of Iraq and Afghanistan (and the disposability of its soldiers afterwards...).

"I hear the sound of war
Echoing over yonder
It make I man stop and wonder
I heard the sound of a bomb
That sound like thunder
The flashing like that looks like lighting
The rolling of the guns across the plains
And the children so confused
And the elders not amused

Is Babylon unleashing all its might?
Destroying everything in sight
I can feel the agony of the people
Cowering with fear
Destruction everywhere
When two governments disagree
The people get least
No one listen to their struggle
Whenever this is war the children perish
Losing everything they ever cherished

They send your sons and daughters to die
On the battlefield
All in the name of freedom
All in the name of democracy
Those that make it back
Is shown no mercy
Living in the streets like rat
Nowhere to rest their pack"

My favorite cut on the album is the joyous (despite the lyrical content) title track, "Horror Zone" (that has echoes of Willie Williams' "Armagideon Time"/Sound Dimension's "Real Rock" riddim within), which places a lot of the blame for our current mess on our own choices and for failing to follow a righteous path.

"Cloak and dagger
Skull and bones
Drifting in
The Horror Zone

We seem to forget the reason we're here
Why Jah has given us this earth to share
It's more than enough for us to take part
But for the glory of Jah we all have come short

We seem to focus on just violent tings
Destroying the fabric of humanity
We never stop for a moment to think if it's right
The terrible things we do in Jah Jah's sight

Men have conjured many concepts
Forgetting that Jah should be shown respect
They come up with little gimmicks that sound so real
But when you take up stock it's your soul they steal

Beware of false prophet, Jah has warned us
Not everything that glitters turn out to be gold
Sometime decision come back to haunt us
The words have been written and the story been told

Cloak and dagger
Skull and bones
Drifting in
The Twilight Zone
All that matters
Is left alone
Cause men bow down
To wood and stone"

The album proper finishes with a prayer of thanksgiving/warning to the unrepentant: "Give Thanks to Jehovah" (or else).

Horror Zone is accompanied by track-for-track dub versions (on a second LP in the vinyl version), all expertly crafted by Boyle (I really like "What is Dub?" in particular). Several feature Lee Perry on vocals and effects ("What If Version," "Horror Zone in Dub," and "Give Thanks Dub"), which take them to a whole new level of wonderful, otherworldly weirdness.

Somehow, all of the stars aligned for Max Romeo's phenomenal Horror Zone to come to fruition, so do all that you can to track down this (somewhat hard-to-find in physical form) album. You don't want to miss out--Horror Zone is likely destined to become a new roots reggae classic.

+ + + +


Monday, August 15, 2016

Stiff Records' Fortieth Anniversary and Their Support of Ska

Forty years ago yesterday, August 14, 1976, Stiff Records issued their first release, Nick Lowe's single "So It Goes" b/w "Heart of the City," and launched one of the most successful independent punk and new wave labels known to humanity. Stiff, of course, was home to several notable ska acts, including Madness, Desmond Dekker, The Untouchables, and The Equators.

Anyone wanting to learn more about the Stiff-ska connection, might want to check out the following Duff Guide to Ska posts:
+ + + +


Wednesday, August 10, 2016

The Duff Guide to Ska Fast Takes: Notable New Releases from Joe Scholes and Yellow Cap


(Reviews by Steve Shafer)

Joe Scholes Songbook Vol. II (CD, Richmond Records/digital download through Bandcamp, 2016): From Joachim Uerschels, singer/guitarist/songwriter for the late-80s German ska band The Braces ("Playing Darts") and force behind the great Reggae Steady Ska website, comes an album full of charming, catchy, and well-crafted acoustic ska-tinged singer-songwriter tracks--about falling in/out of love ("Perfect," "Ballerina Valerie," "Grave Situation," "Seven") or struggling to find the grit to go on when it seems like they're all out to get you ("The Life I Know," "Get Up, Fall Down," "Jam in Amsterdam"). It's a quiet, introspective, Sunday morning-type of record full of great beauty and sadness (and sprinkled with fun pop-culture references throughout), best used when you need to put yourself back together from Saturday night or build up strength to take on Monday morning and the working week. (The CD booklet includes all the lyrics--which are always appreciated--plus chords and fingering charts for the guitarists out there wanting to learn these songs.)

+ + + +

Yellow Cap "Around the World" (heavyweight 7" single and digital download, Pork Pie Records, 2016):

“Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one's lifetime." -Mark Twain

Inspired by Twain's quote above, Germany's excellent ska/rocksteady act Yellow Cap has released a terrific new single which promotes the message that encountering and embracing different peoples and cultures (and music!) is a powerful antidote to the racism that is often born out of parochialism and ignorance (chorus: "I wanna go around the world with you/See everything with my own eyes"). But Yellow Cap also epitomize this notion, as they sojourned to Sao Paulo (for their fourth tour of Brazil) to record "Around the World" (check out the video!), which was produced, recorded and mixed by American Victor Rice, features Brazilian rapper Lurdes da Luz as well as the band Projeito Brasilidade and their singer Fernanda Sant'Anna, and sung in English, German, and Portuguese. The flip side contains the riddim track for budding DJs to chat over and recount their own journeys of discovery far from home.  Here's hoping that Yellow Cap stay on the road and keep taking quick breaks to record more music like this!

+ + + +


The Duff Guide to Ska NYC Summer/Fall 2016 Ska Calendar #35

The wonderful Laurel Aitken!
Friday, August 12, 2016 @ 6:00 pm

NYC Ska Orchestra

Lawrence Virgilio Playground Windmuller Park
Woodside, Queens, (close to the 52nd Street stop on the 7 Train)
Free!

+ + + +

Friday, August 19, 2016 @ 7:00 pm

Rude Boy George

Oskar Schindler Performing Arts Center (OSPAC)
4 Boland Dr
West Orange, NJ

+ + + +

Saturday, August 20, 2016 @ 3:00 pm

The Peoples' Garden Presents: Ska Cumbia Reggae Party w/Orquesta M2, Escasos Recursos, Carmelo DiBartolo (of Beat Brigade)

The People's Garden
Greene Avenue and Broadway
Brooklyn, NY
Free

+ + + +

Saturday, August 20, 2016 @ 7:00 pm

Pilfers, J. Navarro and The Traitors

The Black Bear Bar
70 North 6th Street
Brooklyn, NY

+ + + +

Thursday, August 25, 2016 @ 6:45 pm

StrummerJam w/The Ladrones, InCircles, The Threads, The Rudie Crew, and Skarroñeros

The Highline Ballroom
431 West 16th Street
New York, NY
$10 in advance/$12 day of show
All ages

+ + + +

Friday, August 26, 2016 @ 7:00 pm (boat departs at 8:00 pm)

Rocks Off Booze Cruise with The Slackers

The Liberty Belle departs from Pier 36
299 South Street
Manhattan, NY
21+
$30 in advance/$35 day of show

+ + + +

Friday, September 2, 2016 @ 9:00 pm

The Frightnrs Record Release Party for "Nothing More to Say" w/selections by Grace of Spades, Rata, E's E and special guests (The Frightnrs are NOT performing)

Our Wicked Lady
153 Morgan Avenue
Brooklyn, NY

+ + + +

Monday, September 4, 2016 @ 2:00 pm

"The Battle of Los Angeles (Rage Against the Machine Tribute)" w/The Ladrones, Punto Ge, Jobo, Axel Y La Concertina, Deraiz, Morning Fame, Larrosa

The Paper Box
17 Meadow Street
Brooklyn, NY
$10/21+
(Happy hour: $2 beer from 2-3 pm)

+ + + +

Friday, September 9, 2016 @ 7:00 pm

The Specials, The Far East

Terminal 5
610 West 56th Street
Manhattan, NY
$45.00 (plus service fees)

+ + + +

Saturday, September 10, 2016 @ 7:00 pm

Bim Skala Bim, King Django, Skarroñeros

Don Pedro
90 Manhattan Avenue
Brooklyn, NY
$15/21+

+ + + +

Saturday, September 10, 2016 @ 7:00 pm

The Skatalites

American Beauty NYC
251 West 30th Street
New York, NY
$17/21+

+ + + +

Sunday, September 18, 2016 @ 7:00 pm

Big D and the Kids Table

Rocks Off Concert Cruise
The Jewel
Boards at East 23rd Street and the FDR Drive
Manhattan, NY
$20/21+

+ + + +

Saturday, September 24, 2016 @ 7:30 pm

The Toasters, The Pomps, Skarroñeros

The Knitting Factory
361 Metropolitan Avenue
Brooklyn, NY
$15 in advance/$17 at the door
21+

+ + + +

Thursday, October 6, 2016 @ 7:00 pm

The Selecter, Hub City Stompers, High School Football Heroes

The Gramercy Theatre
127 East 23rd Street
New York, NY
$41.50/16+

+ + + +

Saturday, October 22, 2016 @ 7:00 pm

DJ Gorilla Fest w/Beat Brigade, Raise the Kicks, Ras Majesty and the New Vibration Band, Escasos Recursos, Blaire Alise & The Bombshells, Bodega Satellite, PrinceLionSound, plus DJ Ryan Midnight

Don Pedro
90 Manhattan Avenue
Brooklyn, NY
$10/21+

+ + + +

Sunday, October 30, 2016 @ 8:00 pm

5th Annual Devil's Night Danse w/Mephiskapheles, The Pietasters, The Brooklyn Attractors, and more!

Brooklyn Bowl
61 Wythe Ave
Brooklyn, NY
$15/21+

+ + + +

Plus, there will be Duff Guide to Ska sponsored shows at Otto's Shrunken Head on Thursday, October 13 and Thursday, November 10. Bands to be announced soon.

+ + + +

Thursday, July 28, 2016

New Rhoda Dakar Pledge Music Project: The LoTek Four, Volume 1

Rhoda Dakar!
As a follow-up to her incredible, fan-funded Rhoda Dakar Sings The Bodysnatchers album (read The Duff Guide to Ska review here), Rhoda Dakar (Bodysnatchers, The Special AKA) is recording a series of EPs (on vinyl and CD) that will be funded/released through Pledge Music. The first volume of this LoTek Four series will start to be recorded next week (!) and is planned for a December release.

Here's the concept behind the LoTek Four series, as well as info on Rhoda's all-star musical collaborators:

"Each volume of the LoTek Four series takes four beautifully crafted songs and strips them back to their essence.  From there, recorded in the very best of surroundings, different versions can be engineered, versioneered, if you will. It may be that a rocksteady version is favoured, or perhaps an almost acoustic rendering.

The songs draw on Rhoda’s rich and personal musical influences, with Volume I embracing a fantastic array of story tellers and versioneers that include David Bowie, The Slits, Dolly Parton, Aretha, Gram and Emmylou, and her father, famed Jazz musician and entrepreneur Rudy Evans aka André Dakar.

Alongside Rhoda Dakar on lead vocals, The LoTek Four, Vol I features Louis Vause and Paul Tadman (from Crunch aka the Nutty Boys/Lee Thompson Ska Orchestra), Lenny Bignell (Pama International, The Sidewalk Doctors), Mark Claydon (The Get Up), and saxophonist Terry Edwards (PJ Harvey, The Blockheads, Tom Waits, Madness, Spiritualized, Siouxsie, Nick Cave, and his old 2 Tone label mates The Higsons)."

You can support Rhoda Dakar's The LoTek Four, Vol I Pledge Music project here. (Being the music obsessive I am, I've already pledged for both the vinyl and CD versions of this EP!) As of this date, the project is 94% funded with 44 more days to go...

+ + + +

The Selecter Return to the USA and Mexico This Fall!

The Selecter with Pauline Black and Arthur "Gaps" Hendrickson will be performing in the USA--they haven't been here since 2013--and Mexico this November in support of their excellent 2015 album Subculture (read The Duff Guide to Ska review of Subculture here).

Here are The Selecter's dates for the rest of the summer and fall in the UK, USA, and Mexico:

Sat 6 Aug: Kaya Festival, Wales UK
Fri 12 Aug: Farmer Phils Festival, Shropshire UK
Sun 14 Aug: Boomtown Fair, Nr Winchester UK
Sat 20 Aug: Great Northern Ska Festival, Manchester UK
Sun 21 Aug: Beautiful Days, Devon UK
Sat 27 Aug: Victorious Festival, Portsmouth UK
Sat 3 Sept: Monkey's Music Club, Hamburg DE
Fri 9 Sept: Undercover Festival, Brighton UK
Sat 17 Sept: Ramsbottom Festival, Lancashire UK
Thu 29 Sept :Old Fire Station, Carlisle UK
Fri 30 Sept: Town Hall, Paisley UK
Sat 1 Nov: Loopallu Festival, Ullapool UK
Sun 2 Nov: Independent, Sunderland UK
Thu 6 Nov: The Gramercy Theatre, New York USA
Fri 7 Nov: Chop Shop, Chicago USA
Sat 8 Nov: The Gothic, Denver USA
Mon 10 Nov: The Independent, San Francisco USA
Tue 11 Nov: The Regent, Los Angeles USA
Wed 12 Nov: The Glasshouse, Pomana USA
Thu 13 Nov: The Casbah, San Diego USA
Sat 15 Nov: Global Ska Festival, Mexico City MX
Sun 18 Dec: Copper Rooms, Coventry UK

+ + + +

In other Selecter news, they headlined Billy Bragg’s Leftfield Stage @ Glastonbury, toured Australia in March, and Pauline and Gaps have done a slew of shows in the UK with Jools Holland’s R & B Orchestra (and will be doing more with them in the fall). They urge everyone to "stay vigilant, resist all forms of racism and sexism if you see or hear it and enjoy ska/2-Tone music wherever you can find it."

+ + + +

Tuesday, July 26, 2016

Ska Drummer Al Fletcher Passes Away at 45

Al Fletcher
Al Fletcher, drummer for ska and reggae artists like The Selecter, Skaville UK, Lee "Scratch" Perry, and the bands Die So Fluid (punk/metal) and Gigantic (alternative), passed away yesterday at age 45.

The following is a statement from Die So Fluid in response to Fletcher's passing:

"Al contracted double pneumonia followed by sepsis in a rare reaction to an infection. This caused his immune system to wage a war on his body that he was unable to survive, despite the fight he put up and the best efforts of the doctors and nursing staff at Ealing Hospital. Kept sedated throughout this sudden and vicious affliction, we can only be grateful that he suffered no pain and passed peacefully. Al’s passing leaves a gaping hole in all our lives as we struggle to come to terms with the fact he has gone. No one plays the drums or can tell a joke quite like you Al, you will be missed so very much. You will live on in our hearts and in all the amazing music you made. We love you."

+ + + +

We offer our deepest condolences to Fletcher's family, friends, and fans.

+ + + +

Rebel Music: Empire of Two's "Let Us Live"

In response to the series of ongoing, completely unwarranted, high-profile police shootings/killings of American black men (there was just another terrible shooting last week in North Miami), Dunia Best and Aram Sinnreich of Dubistry (billed here as Empire of Two) wrote and recorded "Let Us Live" in July 2016 at the Institute for Popular Music in Bochum, Germany, with the help and contributions of Hans Nieswandt, Arno Kro, Fab Horn, and others including Best's and Sinnreich's own children. It's a terrific, stripped down reggae tune whose vocals are a passionate and forceful plea to society (and its agents) that we recognize black people's humanity and everyone's basic, elemental right to live (enshrined in the U.S. Declaration of Independence: "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness."). "Let Us Live" is also a chant of sorts--to ward off this plague of violence and death that is inflicted on our fellow, non-white Americans.

"Let Us Live" keeps with the proud ska and reggae tradition of creating powerful protest songs in response to police brutality directed at non-white communities (see Bob Marley and The Wailers' "I Shot the Sheriff," Junior Murvin's "Police and Thieves," Peter Tosh's "No Mercy," Max Romeo's "Three Blind Mice," The Ruts' "SUS," and "Jah War," or Ruts DC's "Smiley Culture," Linton Kwesi Johnson's "Sonny's Lettah," "Reggae Fi Peach," and more, Vivien Goldman's "Private Armies," The Specials' "Do Nothing," The Selecter's "Bristol and Miami," or "Breakdown," The Toasters' "East Side Beat," and many, many others).



Let Us Live

"Everybody screams
At their laptops and TVs
But policeman ears, they hear no sound
Even when the father pleads
For his children on his knees
They don't see a man, they just see brown

Then they shoot him in the chest
And the shoot him in the legs
And they shoot him in the back
And they hear the voices beg
"Please don't kill my father
Let him live, let him live!
Please don't kill my father
He has so much to give!"

Everybody screams
At their laptops and TVs
But policeman ears, they hear no sound
Even when the daughter pleads
She did nothing on her knees
They don't see a girl they just see brown

Then they beat her on the chest
And they beat her on the legs
And they beat her on the head
And they hear the voices say
"Please don't kill our daughter
Let her live, let her live!
Please don't kill our daughter
She has so much to give!"

Everyone believes
What's on their laptops and TVs
And policeman ears they hear no sound
Even when our voices plead
We did nothing on our knees
They don't hear a world, they just hear brown

Then they beat us on the chest
And they beat us on the legs
And they beat us on the head
And they hear our voices say
"Please don't kill our mother
Let us live, let us live!
Please don't kill our mother
We have so much to give!"

Don't kill our mothers and
Fathers and
Sisters and
Brothers
Cousins, aunts, uncles
Grandfathers and 'mothers
Don't kill our neighbors and
Lovers and
Millions of others
Let us live
Let us live"

+ + + +

Thursday, July 21, 2016

The Duff Guide to Ska Fast Takes: Notable New Releases from The Abruptors, Natalie Wouldn't, and The Downsetters!

(Reviews by Steve Shafer)

The Abruptors Buffalo Ska (hot pink vinyl 7" single, Asian Man Records, 2016): Nope, it's not (spaghetti) Western Reggae (like Bad Manners' track of the same name), but three tracks of good old traditional style ska from this Buffalo, NY act (with an assist from Western Standard Time's fine horn section), including a cover of Justin Hinds and the Dominoes' durable classic "Save A Bread." The single is sold out at Asian Man, but the band still has copies to sell at gigs (and you can, of course, buy the digital download).

The Downsetters The Asylum Hotel (CD, Liquidizer Records, 2016): This is a loosely structured concept album of sorts, where you enter The Downsetters' wonderfully twisted world of amped-up, knees-up modern ska (similar to what was produced in in the UK and Europe in the wake of 2 Tone in the late 80s/early 90s, prior to the rise of ska-punk), though it's not entirely clear if you're being offered refuge from the cruelties of daily life or have found yourself in the psychiatric ward. What is certain is that there are some really terrific tunes on this album, including "Mango Rock" (which contains a Rod Serling "Twilight Zone" intro), "Are You Reggae?" (with its nod to Don Drummond's "Man in the Street"), the struggle to get through the working week of "Who? What? Why?," the fact that oppression is oppression, no matter what the setting in "Another Day in Paradise" (and its instrumental version of sorts, "Skafusion"), the inspirational/carpe diem message of "No Burn No Shine," and a warning about backstabbers in "Fakes n Snakes." Based on what's captured here, I suspect The Downsetters must be top-notch live!

Natalie Wouldn't Natalie Wouldn't (four-track, digital EP, 2016): Seattle's Natalie Wouldn't (made up of former members of the very much missed Easy Big Fella, The Crawdaddies, The Diablotones, and The Georgetown Orbits), which toured the UK this past June opening up for The Meow Meows (including a gig at Gaz's Rockin' Blues!), just released a fantastic, self-titled four-track digital EP (three stunning ska/rocksteady/soul originals--like the tongue-in-cheek ode to selfishness "Mine" and the lament of growing older and less cooler in "Obsolescence": "No place to hide/as the world passes by me"--and a sweet, inventive take on Lou Reed's "Satellite of Love"). If you liked EBF's high-quality, quirky, and fun (sometimes even melancholy) take on ska back in the day, you'll be sure to love this EP! This one deserves a proper, physical release on vinyl...

+ + + +